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How to Read a Novelist, by John Freeman
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The novel is alive and well, thank you very much
For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the former editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he's learned.
From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone.
What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader—a perfect companion (or gift!) for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made it possible.
- Sales Rank: #1053349 in eBooks
- Published on: 2013-10-08
- Released on: 2013-10-08
- Format: Kindle eBook
From Booklist
Critic and former Granta editor Freeman (The Tyranny of E-Mail, 2009) presents a collection of 55 deeply informed and closely observed encounters with exceptional novelists. After stumbling through his first interview with John Updike, Freeman learned that “an interview is a form of conversation that has the same relationship to talking as fiction does to life.” Over the subsequent 13 years, Freeman spoke confidently with novelists who have something “to say about the world that can only be said in a story”in conversations he deftly wove into compact yet defining literary newspaper profiles. And what a spectrum he covers, from such towering figures as Toni Morrison, Nadine Gordimer, Joyce Carol Oates, and Günter Grass to Aleksandar Hemon, Kiran Desai, crime writer Donna Leon, and Jonathan Franzen. Haruki Murakami explains why a “repetitious life” is good for the imagination. E. L. Doctorow talks about the balance between the imagined and the historic, and Kazuo Ishiguro comments on the mess Freeman makes while eating scones. Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.” --Donna Seaman
Review
"Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.”―Booklist
"To read about the personal, emotional, mental, political, and artistic struggles and triumphs of great writers is to see them as flesh and blood human beings...intimate and thoughtful sketches."―Publishers Weekly
About the Author
John Freeman is an award-winning writer and book critic. The former editor of Granta and onetime president of the National Book Critics Circle, he has written about books for more than two hundred publications worldwide, including The New York Times Book Review, the Los Angeles Times, the San Francisco Chronicle, The Wall Street Journal, The Guardian, La Repubblica, and La Vanguardia. His first book, The Tyranny of E-mail, was published in 2009. His poetry has been published in The New Yorker, ZYZZYVA, and The Paris Review. He lives in New York City.
Most helpful customer reviews
10 of 13 people found the following review helpful.
Unmet expectations
By Nikolay Nikolov
Although this book received a big praise by the brainpickings.org website as 'THE handbook' to any aspiring novelist, I found very few takes of the literally giants interviewed useful. What I found strange is that this book is a collection of interviews between 204-2008, yet it is being advertised as something very contemporary. While containing invaluable communications with individuals who have unfortunately passed away, I can find no logic as to why it is published so many years after the interviews conducted in relation to selected books by the given authors.
2 of 2 people found the following review helpful.
Not what I expected, not very enlightening.
By Ralph Glebe
In his forward John Freeman states that he started out with an outline of what he wanted to ask during his interviews and he soon discarded that in favor of a more freewheeling interview. Maybe he should have held on to the outlines. Perhaps it's my expectations that are at fault. "How to Read a Novelist," I suppose suggested to me that I might see some samples of a writers work and some commentary on it by the author or, failing that, at least by John Freeman. OK, I hadn't done my homework. What I got was a series of short, very short, blurbs about an author. The author, when we get a few words from the author, doesn't even really cover the body of his work, just the novel or collections he's pushing at the time of the interview. (Which may be many years out of date.) I can't really call them interviews, because there may have been a few sentences that could be directly attributed to the author, surrounded by Freeman's off the cuff impressions:
"Author X entered the room with a slight limp. Once handsome he'd lately begun balding. Once forceful on the literary scene, he hadn't released anything in the last five years and his physical stature was diminished as well. Yet as we talked about his latest release, he seemed grow as we spoke. The gleam in his eye reminded me of the lion he'd been and might become again. 'Yes," he said. 'A novel should encompass the world, and that's what this does.'"
I guess the bottom line for me is, if you want to learn about reading or writing a novel, or you want to read some kind of insightful interview, this is not the book to get it. If you want to read a short blurb that doesn't require too much effort to read or thought to digest, such as you might see in the Sunday supplement or even on the jacket cover, then this is your book.
1 of 1 people found the following review helpful.
Short, warmly written essays about the literati of today
By Abeer Y. Hoque
Full disclosure: John Freeman is a friend.
"How To Read A Novelist" by John Freeman is a warmly written review of modern literature. In the last 15 years, John has interviewed the literati and rising lit stars of our generation, a contemporary canon, from Salman Rushdie to David Mitchell to Margaret Atwood to Doris Lessing to Haruki Murakami to Mohsin Hamid and so on. If someone has published something marvelous in the last decade and half, chances are John has met its author on intimate and literary terms.
HtRaN is a collection of his interviews/essays, and not only do they give cultural, historical, political, feminist, and literary context, they are beautifully written, giving a sense of not just the author, but what their books might mean to us, and this more mysterious thing, what their work means to themselves. What it means to be a writer, and in turn, a reader.
I love John's language and his articulate and encompassing perspective. Take for example his description of Edmund White as having "a gentle colossal intelligence," his writing with "rivetless construction, as if it were built in a wind tunnel." How inventive, and how clear, all at once.
I would have liked the essays to be longer and more in depth. I know there's much more that John could have written, but perhaps some of that depth was sacrificed for the incredible range of writers reviewed. The good thing about that is if you have a short attention span like I do, then you will be able to rip through the essays right quick.
That all said, the essays in HtRaN will give you a window into the work and world of your favourite contemporary author, and perhaps inspiration to pick up something new.
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