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As editor of the Guardian, one of the world's foremost newspapers, Alan Rusbridger abides by the relentless twenty-four-hour news cycle. But increasingly in midlife, he feels the gravitational pull of music—especially the piano. He sets himself a formidable challenge: to fluently learn
Chopin's magnificent Ballade No. 1 in G minor, arguably one of the most difficult Romantic compositions in the repertory. With pyrotechnic passages that require feats of memory, dexterity, and power, the piece is one that causes alarm even in battle-hardened concert pianists. He gives himself a year.
Under ideal circumstances, this would have been a daunting task. But the particular year Rusbridger chooses turns out to be one of frenetic intensity. As he writes in his introduction, "Perhaps if I'd known then what else would soon be happening in my day job, I might have had second thoughts. For it would transpire that, at the same time, I would be steering the Guardian through one of the most dramatic years in its history." It was a year that began with WikiLeaks' massive dump of state secrets and ended with the Guardian's revelations about widespread phone hacking at News of the World. "In between, there were the Japanese tsunami, the Arab Spring, the English riots . . . and the death of Osama Bin Laden," writes Rusbridger. The test would be to "nibble out" twenty minutes per day to do something totally unrelated to the above.
Rusbridger's description of mastering the Ballade is hugely engaging, yet his subject is clearly larger than any one piece of classical music. Play It Again deals with focus, discipline, and desire but is, above all, about the sanctity of one's inner life in a world dominated by deadlines and distractions.
What will you do with your twenty minutes?
- Sales Rank: #144878 in eBooks
- Published on: 2013-09-17
- Released on: 2013-09-17
- Format: Kindle eBook
From Booklist
The editor of The Guardian recounts his quest to master a notoriously difficult piano piece in this inspiring book, a tale of perseverance in the face of enormous odds. During a period of more than a year marked by the WikiLeaks and phone-hacking scandal stories, amateur musician Rusbridger carves out the time in his demanding schedule to learn Chopin’s “Ballade No. 1 in G minor.” With great detail, down to the fingering of the piece, the series of diary entries will interest the musically minded most strongly, although it’s possible for nonmusicians to comprehend. Rusbridger speaks to experts and enthusiasts in several different fields to deepen his understanding of the piece and the impact of making music on the brain. Like the Chopin piece, reading this account requires dedication but holds rewards for those who make the effort. As his deadline looms, the drama mounts. Can he master the Ballade and answer his questions about the quest: Is there time for such an endeavor, or is it too late to try? --Bridget Thoreson
Review
“This wonderfully illuminating and entertaining chronicle shows Mr. Rusbridger's incredible dedication and energy in pursuing the mastery of an iconic Chopin piano work. He is an amateur of the piano in the way that we all should be--he truly loves the music and the instrument. I am inspired by his example.” ―Emanuel Ax
“This is not only the diary of a sixteen-month challenge but also an extended essay on beauty, memory, and performance; on time and how we use it; on work and what we do it for. A wonderful book.” ―Sarah Bakewell, author of How to Live: or, A Life of Montaigne in One Question and Twenty Attempts at an Answer
“Music is not just for professionals. It is a universal art form--to be treasured, shared, and enjoyed by amateurs. Play It Again is the inspiring story of how an exceptionally busy editor makes the time in his life for the piano--and one piece in particular, the fearsomely difficult Chopin G minor Ballade No. 1. If it encourages others to find the space for music, I, for one, would be extremely happy.” ―Daniel Barenboim
“This captivating book masquerades as the journal of a magnificent obsession, but you soon realize that it's wider-ranging than that, and far more endearing. The story pivots on a feeling that many of us share: a deep and abiding love of music coupled with a daydreamer's challenge to master one truly great work. With an exegetical discussion of Chopin's masterpiece, Alan Rusbridger insists we step inside the music with him and consider the score with the probing mind of a dedicated amateur. A remarkable tour de force.” ―Thad Carhart, author of The Piano Shop on the Left Bank
“In this dazzling, dizzying memoir, one of the world's leading newspaper editors tells of learning to play Chopin's formidable Ballade No. 1 in G minor against a backdrop of phone hacking and WikiLeaks espionage. The day-to-day counterpoint of piano practice and breaking news is a compositional feat in itself: you have the impression of a wide-awake, fearless mind.” ―Alex Ross, author of The Rest Is Noise
About the Author
Alan Rusbridger has been the editor of the Guardian since 1995. Born in Northern Rhodesia, he was educated at the University of Cambridge and lives in London.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Thoroughly Enjoyable
By eric
I love music, but I'm not a big classical music fan, and I don't play the piano. But I've really, really enjoyed this book. The gist of the story is that Mr. Rusbridger has a year to learn one of Chopin's most difficult piano pieces, the Ballade No. 1. He only gets to practice for perhaps a half hour a day. How does he do it? He gets a teacher, of course. But he also talks to many, many pianists, including some of the world's top pianists. He also talks to a few neuroscientists to figure out how, for instance, any person can possibly memorize a piece like Chopin's Ballade No. 1. At the same time, I should mention, Rusbridger is editor of the Guardian newspaper--so he's running a newspaper at the same time he's trying to figure out how to play this difficult piece. The lessons that Mr. Rusbridger learns about piano are not limited to the piano, of course, and that's what makes it doubly interesting: any new skill requires similar dedication, and yes, practice does make perfect.
26 of 26 people found the following review helpful.
Play It Again
By S Riaz
Alan Rusbridger is the editor of the Guardian, so has little time for hobbies, but has a passion for music and for playing the piano. At an annual 'piano camp' he is inspired when a fellow attendee plays Chopin's Ballade No 1 A piece, which inspires dread in even professional pianists. Rushbridger is now in his fifies and restarted piano lessons in his late forties. He has a demanding job in news, which is now updated constantly 24 hours a day, and has little time for anything outside work. Yet, despite all that, he decides to set himself a challange to pay the piece of music which both daunts and calls to him.
It is difficult to describe this book. It is partly full of fascinating musical digressions, from the author's attempts to find the perfect piano for the music room he is building at his country cottage, to watching other amateur pianists performing the piece on YouTube, taking lessons and discussing the piece with musicians and partly it is a news diary. During the year that Rusbridger was desperately attempting to find time for practice, he was also dealing with some major news stories, such as WikiLeaks, phone hacking and the Arab Spring. The book jumps delightfully between topics, leaving you at times impatient to leave the news and get back to the music - as I am sure Rusbridger felt himself. At one part of the book he mentions a 'sneery' article about his love of music, but you can only applaud his passion for the music (and instrument) he obviously loves and the whole book is a pleasure to read, whether you are a musician or not.
11 of 11 people found the following review helpful.
Twenty Minutes a Day
By takingadayoff
Busy, successful people somehow seem to have more time than the rest of us. For instance, look at the politicians and businessmen who have huge responsibilities and many demands on their time. Somehow many of them find time for extramarital affairs and financial shenanigans.
Guardian editor Alan Rusbridger organized his hectic days to make room for learning a very difficult Chopin ballade. He wondered if it would be possible for him, in his mid-fifties to learn the song, which would require him to memorize big chunks of it, as it would be impossible to do the complex fingerwork and look at the music simultaneously. Even in his early piano playing days, he had always relied on his sight reading skills rather than memorization. And how would he manage to find a piano when he was often on the road? As luck would have it, two of the biggest stories in years were breaking the year he undertook his project, making it even more important to be on the spot for the Guardian. And of course, he also wrote this book in addition to everything else.
Play It Again is set up as a diary and covers the time from his decision to tackle the project to the finish. It's really quite inspiring and surprisingly, not at all boastful, which is quite an impressive trick. Even if you don't play piano, or any musical instrument, you can appreciate the account of covering the phone hacking and WikiLeaks stories, as well as accomplishing a personal challenge.
So next time you hear yourself saying you don't have time to learn a new language or take up kick boxing or whatever, think about Rusbridger and his twenty minutes a day.
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