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This book offers an unprecedented and original overview of the history and development of Palestinian art. Experiences of trauma, loss and dispersal have had a profound impact on the lives of Palestinians for many decades. Despite the turmoil, Palestinian artists have continued to create powerful works of art that reflect and transcend contemporary realities even as they tap into the rich and layered sources of Palestinian heritage. They produce distinct and diverse works of art that dismantle the East–West dichotomy, reconfigure national identity and generate an alternative ‘Third Space’ of creativity.
Based on almost two decades of intensive research, countless studio visits and numerous interviews, the author examines the œuvre of contemporary Palestinian artists both prominent and lesser-known, working in the Palestinian territories, in Israel and in exile. She provides detailed interpretations of the meaning and significance of works of art, as well as a thorough analysis of the complex historical, geographical, political and cultural contexts within which they were created. The book navigates between the personal and biographical dimensions of specific artworks and the collective identity components embedded within them. Questions of gender, exile, colonialism, nationalism, post-colonialism, Orientalism and what Ankori calls 'Dis-Orientalism' are integral to the author's investigation. She also probes the influence and thematic dominance of issues such as rootedness, displacement, fragmentation and hybridity in contemporary Palestinian art.
Palestinian Art is a fascinating introduction to a little-known visual culture often subsumed under the torrent of political turmoil. A groundbreaking and essential work of art scholarship, it illuminates new and unique facets of Palestinian cultural identity.
- Sales Rank: #509484 in eBooks
- Published on: 2013-03-28
- Released on: 2013-03-28
- Format: Kindle eBook
Review
"Pioneering academic study. . . . What's wonderful about Palestinian Art is that it brings to our attention so many very good artists . . . we learn that they have so much more on their minds than 'the conflict.'" (David B. Green Boston Globe 2006-04-09)
"The excellent Reaktion Books has scored another coup with Palestinian Art - the only work in English on this theme." (The Independent 2006-05-01)
"Ankori guides us fluently through the largely uncharted territory of modern Palestinian art." (Contemporary 2006-05-01)
"This book is an immense contribution towards giving Palestinian art the recognition it merits, both in the context of universal art and as an expression of the Palestinian people's particular experience. . . . The first part of the book gives afascinating glimpse of the many art forms that flourished in historical Palestine. . . . complex and fascinating." (The Jordan Times 2006-06-07)
"An engaging and necessary step toward a richer literature about art in Palestine." (Art AsiaPacific 2006-08-01)
"Gannit Ankori’s book Palestinian Art, a prime model of art historical research, deviates from the narrow confines of the discipline and must be read as a cultural document . . . and as an expression of an ethical position espoused by a scholar in times of continued occupation. . . . The analysis of the diverse artworks is rich and fascinating because it interweaves the visual with the theoretical and the biographical."
(Afterimage 2006-11-01)
"Provides its readers a documentary-like and cinematic experience while teaching them about the history and culture of a troubled land. . . . Ankori's vision suggest an inclusive method of looking at art. It is a blueprint for writers and readers to study on how writing the cultural history of a nation is possible." (Doris Bittar Al Jadid 2007-06-11)
"This engaging study is the first substantial English-language publication to cover the topic. . . . Her insightful interpretations and analyses of individual works are enriched by numerous high quality color photographs. Ankori does an excellent job of balancing an interpretation of the work of individual artist with placing them in the context of the historical, political, cultural, and symbolic meanings inherent in Palestinian art. . . . Writes in a style that is authoritative yet accessible. . . .This book holds a unique place in the literature is highly recommended." (Judy Dyki ArLIS 2006-11-01)
"Ankori's contribution consists not only of surveying the enrire history of Palestinian fine art . . . but also of providing a historiography of the field that will be invaluable for those who may follow in her footsteps." (David B. Green Jerusalem Report)
"A readable book on Palestinian art. . . . It creates new awareness of the increasingly popular field of Middle Eastern art in general. As there is plenty of political content as well, it provides a good overview of the situation in that benighted region. This is no coffee-table book." (New Strait Times 2007-12-31)
About the Author
Gannit Ankori, an associate professor of art history at the Hebrew University of Jerusalem, is currently a research associate at the Women's Studies in Religion Program at Harvard Divinity School. She has published and lectured extensively on Palestinian art since 1987, and is the author of numerous articles and two books on Frida Kahlo, including Imaging Her Selves: Frida Kahlo's Poetics of Identity and Fragmentation.
Most helpful customer reviews
8 of 10 people found the following review helpful.
Excellent book
By Himri
This book is an excellent study of Palestinian art and its history. Art work of Ismail Shammout, Sliman Mansour, Kamal Boullata are extensively described with the relevant context to the times and loss of Palestine inhabitants.
One comes across not only paintings but also other forms of expression - 'mud on wood'(page 84).
One of the paintings 'Whereto?' on page 49 shows the effect of influence of 'absence of a character (part of defined standard of family)' by exclusion from the figure-ground of a painting but not from a higher space of our understanding. While paintings are assumed to be more real by blending into the atmosphere i.e extending onto the walls that they are placed. This one creates a great seperation. It is to such art that you get introduced to in this book.
Mona Hatoum's work is described , most of which is daily home objects turned useless in a very prickly way, the source of it being her sense of alienation from home.
The same themes are explored in works of Khalil Rabah and Asad Azi.
2 of 2 people found the following review helpful.
Enjoyable
By J. Shaath
I enjoyed this a lot. Makes a great gift for Palestinian friends and family.
0 of 0 people found the following review helpful.
At Last!
By Mary E. Shehadeh
I found the book to have good photos,excellent citations, and it was enjoyable read. It was exciting to read of Samia Halaby, Nabil Anani and others
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