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The Columnist: A Play, by David Auburn
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A new play from the Pulitzer- and Tony Award–winning author of Proof, coming to Broadway this April
In midcentury America, newspaper columnists are kings—and Joseph Alsop wears the biggest crown. Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.
Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn's The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.
- Sales Rank: #1362103 in eBooks
- Published on: 2012-04-24
- Released on: 2012-04-24
- Format: Kindle eBook
Review
“A play about scientists whose science matters less than their humanity . . . All four [characters]--whether loving, hating, encouraging or impeding one another--are intensely alive, complex, funny, human.” ―JOHN SIMON, New York on Proof
“An exhilarating and assured new play . . . Accessible and compelling as a detective story.” ―BRUCE WEBER, The New York Times on Proof
About the Author
David Auburn is an American playwright whose 2000 play Proof won the Tony Award for Best Play and the Pulitzer Prize for Drama, and was also adapted into a film. He has received the Helen Merrill Playwriting Award and a Guggenheim Fellowship. He lives in Manhattan.
Most helpful customer reviews
2 of 2 people found the following review helpful.
"YOU LOOK FOR PLOTS EVERYWHERE. SECRET AGENDAS."
By David Keymer
The Columnist, a new play by Tony Award and Pulitzer Prize winner Auburn (for Proof, 2000), opened this April on Broadway with John Lithgow as Joseph Alsop, a name that meant something in the 1950s and 60s but probably doesn't mean much to most of us any more. Alsop was 100% Blue Blood. A descendant of James Monroe and Teddy Roosevelt and educated at Groton and Harvard, he was a syndicated news columnist, whose influence over American presidents and foreign policy stretched across four decades. He was a life-long conservative but he supported young Jack Kennedy because of friendship and continued to advise him throughout his presidency. He pressured Johnson to persist in Viet Nam but already by then Alsop seemed a dinosaur in the strange new landscape of anti-war protest. There is an effective scene in the play where Alsop, often not a nice man at all, calls the editor of the New York Times to talk him into firing David Halberstam, who, at 31, is about to win a Pulitzer Prize for his on-site reporting of that war's catastrophes. (Alsop, by the way, envied Halberstam for winning the prize he never succeeded in winning himself.)
What makes Alsop a fitting subject for a Broadway play is the contrast between his personal life and his public one. He was a homosexual --this in an age where to admit it would have meant professional suicide. The first scene in the play shows Alsop in bed in Moscow with his young Russian guide. His tryst comes back to bite him later on. Photographs are circulated of the two of them in bed and the Russians threaten to expose him if he doesn't play along with them, but he tells them to go ahead and expose him, see if he cares. He probably married to hide his homosexuality: it was a disastrous choice, both for him and his bride. The scenes in the play depicting the marriage are painful: he was a cruel and indifferent husband, and the marriage eventually went up in smoke. He didn't treat his brother Stewart any better, although Stewart was his partner in the column for thirteen years.
Eventually he begins to fall apart. He's still writing his columns and he still takes junkets abroad to find material but his brother Stewart catches on to how sour he has become: "What's the point?" Stewart asks him, "You don't listen to me. You don't listen to anyone. I don't know why you bother to go on these trips. You never change your mind, and you sit with the same old fossils peddling the same old c**p. . . ." Andrei, the Russian he once bedded, knows too. "I think you hate America more than anyone at home does," he says. "You look for plots everywhere. Secret agendas."
Auburn doesn't use Alsop's life to make points about how life-destroying it was to Alsop to have to hide his homosexuality, although it was, nor does he set out to make any grand point about how influence corrupts or fame destroys. At the end of the play, we know a lot more about what makes Joseph run, but he's still running, still there, on the phone to his editor, asking for a delay in delivering his copy for the next column, saying he's got new ideas he wants to follow up on.
1 of 1 people found the following review helpful.
Great Play
By CA Consumer
Lacking only in supporting character arcs (which could be fixed with imagination or a good actor), this play is amazing.
0 of 0 people found the following review helpful.
Feels half-finished
By Peter J. Orvetti
"The Columnist" presents an interesting man, and does not explore him enough.
Auburn takes on the life of Joe Alsop, a columnist whose influence in the middle of the last century is hard to comprehend in this modern era of specialized, sliced-up bits of media. Alsop could actually change policy, and make or destroy careers with his words, and he loved that power. He also saw it as a great responsibility.
Much of the story revolves around Alsop's very closeted homosexuality and how it would be used against him. But Auburn does not delve deeply enough into Alsop's life, or tell us enough about the many facets of his personality, to make us care all that much.
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